Channel Z is primarily a pop-culture blog curated by NYC comedian, educator and song-writer Louie Pearlman.

Click here for posts about Louie's upcoming live performances.

His blog of personal art is Naive Melodies.

Gettin nothin but static, gettin nothin but static, static in my attic from Channel Z...

Posts Tagged: sixties

surfboardsandpianos:

Happy anniversary to Pet Sounds, one of the greatest pop albums of all time.
“Pet Sounds represents Brian’s peak. He may have peaked in ambition after this, but with Pet Sounds, he peaked in pure display of talent. It was so good that, after Pet Sounds, he was so self-aware that he had to go for something even more ultimate. Maybe that’s what drove him crazy—there was nothing more. You couldn’t beat it—no one else has.”
David Wild, Rolling Stone senior editor

Album released by the Beach Boys on May 16, 1966.

surfboardsandpianos:

Happy anniversary to Pet Sounds, one of the greatest pop albums of all time.

“Pet Sounds represents Brian’s peak. He may have peaked in ambition after this, but with Pet Sounds, he peaked in pure display of talent. It was so good that, after Pet Sounds, he was so self-aware that he had to go for something even more ultimate. Maybe that’s what drove him crazy—there was nothing more. You couldn’t beat it—no one else has.”

David WildRolling Stone senior editor

Album released by the Beach Boys on May 16, 1966.

(via cheapocheapo)

Source: surfboardsandpianos

Tomorrow Never Knows on Mad Men: How The Beatles Tune Changed Pop Music Forever

By 1966, when the episode takes place, the Beatles had been pushing songwriting conventions for a few years already… But “Tomorrow Never Knows” represented a more significant innovation: Rather than playing with what they could do inside a pop song, the Beatles asked what kind of music a pop song might be.

Excellent piece written by my friend Chris about the process of recording “Tomorrow Never Knows” and it’s recent use in Mad Men.

"

The Beach Boys by a mile.

The reason being that The Beatles had this sorta fake evil thing going with Lennon, but not really. Then you have The Beach Boys as the really nice sweet band, but they are all emotionally damaged people.

What I love is that their is a really weird, immature, backwards longing for normality in the Beach Boys that is totally lacking in The Beatles. All those cheesy Brian Wilson lyrics have a very dark edge when you understand that actual emotional dynamics of the Wilson Family. Here is a person that is absolutely screwed up trying to write his way out with this seemingly innoculus music. It is the longing for a perfect American life that is so great, that those records are documenting this Californian fantasy world.

The brilliance is that Brian Wilson was being sincere when he wrote things like God Only Knows, Don’t Worry Baby, or Wouldn’t It Be Nice. They are so childlike, they are masterworks by a genius whose emotional life was absolutely stunted by an abusive father. It is so utterly American.

It is all cliched, but Brian Wilson was the superior talent. On a track by track basis the Beatles never touched Good Vibrations.

"

-

mt (via waitingformagritte)

I do feel that The Beatles did have tracks on-par with “Good Vibrations” and “God Only Knows”, one could argue “Elenor Rigby”, “Day in the Life” and even “Tomorrow Never Knows” were, but I love the middle of this quote regarding Wilson writing to escape and to somehow conjure this American Dream that no one could really aspire to. Maybe that’s why “In My Room” drove me to tears when I heard him sing it on Wednesday!

(via cheapocheapo)

Source: ilxor.com

[Flash 9 is required to listen to audio.]

theswingingsixties:

The Sonics — Money (That’s What I Want) - 1965

Source: oneafter909

Before it’s over - Happy Birthday Tommy James!!!

Source: Spotify

JUST STOP.

JUST STOP.

Source: psychojello

patbaer:

heyoscarwilde:

behind the scenes on Batman

via harald-haefker

These are fantastic.

GHAA. I love these.

Source: Flickr / harald-haefker

Text

This is a dream come true. Let me know if you have any questions!

The Monkees - You Just May Be The One

"If you love music, then you can play music. And all it takes is just love. Because, baby, in the final analysis, love is power."

- Mike Nesmith, Monkees Episode 52, The Devil & Peter Tork